The Latest

Acrylic is Perfect for Multimedia

We used a giant gel plate for experimental monotypes, and I have to say the colors are always much brighter than when we use block printing ink. The other big difference is that the results cannot be altered as acrylic is not water soluble. But these prints can become a background for play with other paint with watercolor or ink, for example. The gel plate was created using a variation of a recipe I found on the internet. 6 months and $150 later, I found the right combination of gelatin and glycerin and now share it with my students. I love gel plates, not just because of their sensitivity to textures but because they require almost no physical exertion. Pours on small canvasses are the happy experiments on which anyone can build a larger or more complex piece. I buy packs of these 9 x 12&...[Read More]

Acrylic Washes And Pours

Those who love texture will appreciate the point of enhancing it with specially-mixed acrylic washes. Learning to make this mix was the first part of our class. While there are many recipes for it on Your Tube, we were aiming to mix something that could be used in a variety of materials such as paper, molding paste or canvas. Our surface was heavy watercolor paper because this paper can take a lot of abuse. We scored it, sanded it and covered it with masking fluid. The texture and hues on the wash can serve as a beautiful background for a collage. Once the acrylic washes were applied with a spray bottle, we tilted it and let the excess pour on a mixing tub that had an inch of water. The second part of our class was devoted to learning how to mix the paint for a pour. This time we tried bot...[Read More]

Impasto!

The third acrylics class was just like a food network show. We gathered round to see the making of modeling paste “recipes,” then we saw an impasto demonstration, and then it was time for us to try it for ourselves. Impasto is the application of thick paint to a surface. This can be done in a variety of ways with acrylic, thanks to the many applications of this medium and  to all of the additives in the market. We worked from simple references, mixing colors first on the palette, then applying the thick paste with a palette knife onto primed cardboard. People like impasto because it visually reminds viewers of the very physical nature of paint while simultaneously creating an illusion. It gives you the opportunity to work with paint that is easier to control. Application with a...[Read More]

Plein Air Class Starts June 2

Dust off that acrylic or oil set you received last christmas. Act on your resolution to spend more time on your own development. or finally embark on an activity that brings the satisfaction of learning something new. Learn how to paint the sights you love with as much or as little feedback as you desire. Use the media of your choice. I can help you with acrylic, oil, watercolor, gouache or pastel. We’ll spend two weeks at each painting location so that students can either begin a new painting or complete the one begun in the previous session. I am excited to announce that will be teaching this popular class again this summer, but this time I will be offering plein air in a different way. Students will be able to buy a package of six Friday afternoon classes and take them in June, July or ...[Read More]

Acrylic Glazing Demo

This 20 min demo is part of my Choosing and Mixing Color class. An expanded version of it is part of my Painting in Acrylics class. Uses Acrylic glazing, done by mixing smaller amounts of paint with pouring (liquid) polymer medium, is a great way for painters to control the opacity of their paint mixes. For painters mindful of color, glazes have additional uses. Glazes can be used to add temperature, intensity and contrast to parts of our painting, without the bulk of repeated layers of pigment. They can give a watercolor feel or can be used to create very subtle gradations between values. For beginners, glazes can be a way to “test” a mix. How Glazes Work Glazes are semi-transparent and as such rely on light reflected by the layers of paint underneath. So, when painting a glaze over a pre...[Read More]

Painting in Acrylics Starts March 18

Some people start learning to paint with acrylics. Others begin with oil then switch to acrylics under the assumption that they are less messy or toxic. Watercolorists switch because it is less difficult and expensive to frame an acrylic painting. Then there are painters who are prevented from bringing their oils to communal spaces. No matter your reason to try them, rest assured no medium has been more misunderstood than this one. You see, it’s all about the additives. Knowing how to use them will give you a tremendous range of effects that simply cannot be achieved with oils. Yet visiting an art store and knowing which additives to get can be a bit intimidating, so many students continue painting without them and reaching the conclusion that acrylics is a difficult, unwieldy medium...[Read More]

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