For students new to the medium or for those who want to expand their expressive repertoire. No previous painting experience required! Try a new technique every week and use it in class while you paint from photos or ideas. We'll cover the use of texture-making additives, direct and indirect transfers, masks, gel printing with acrylics, and acrylic washes and pours. There will be 1.5 hrs of painting time in every class. A $10 materials fee payable to the instructor ensures you can experience new media without having to spend money to buy large amounts. Starts Wednesday, Jan 16, from 1-4 pm at the Richmond Art Center.
In acrylic, happiness comes a bit faster. Robert Genn I will be teaching a class at the Richmond Art Center on Jan 11, “Acrylic Bag of Tricks.” In February, I will begin teaching a series of two workshops about painting acrylic still lives at the Frank Bette Center (Feb 24 and Mar 23). So I can rightfully say I will start the year with acrylics. But did you know that I did not start using acrylics until 2005? I did not receive instruction in it when I was in art school in the 1980s. Some instructors used acrylics back then, but they treated it like a lesser medium. If, as painter Andrew Hamilton says, “acrylic is the only painting medium that can be all mediums – it can act like watercolor, it can act like oils, and it has its own innate properties,” none of t...[Read More]
Are you a painting student on a budget? Like most artists (except perhaps for Jim Carrey and George Bush) I am frugal with art supplies. Not only do their prices climb up every year, there’s no need to waste what I already have. Some students have asked me to describe my favorite tricks for saving money on supplies, and so I have decided to write about it in a tongue-in-cheek way. Where should we aim to cut costs? Ok. Let’s think of two kinds of learners. There is the student who is deciding whether painting is something they will like, and there is the student who already does a fair amount of painting during vacations, classes and workshops. If you are figuring out if painting is for you, keep it a secret. Don’t let your relatives or close friends pick out your gear or ...[Read More]
We used a giant gel plate for experimental monotypes, and I have to say the colors are always much brighter than when we use block printing ink. The other big difference is that the results cannot be altered as acrylic is not water soluble. But these prints can become a background for play with other paint with watercolor or ink, for example. The gel plate was created using a variation of a recipe I found on the internet. 6 months and $150 later, I found the right combination of gelatin and glycerin and now share it with my students. I love gel plates, not just because of their sensitivity to textures but because they require almost no physical exertion. Pours on small canvasses are the happy experiments on which anyone can build a larger or more complex piece. I buy packs of these 9 x 12&...[Read More]
Those who love texture will appreciate the point of enhancing it with specially-mixed acrylic washes. Learning to make this mix was the first part of our class. While there are many recipes for it on Your Tube, we were aiming to mix something that could be used in a variety of materials such as paper, molding paste or canvas. Our surface was heavy watercolor paper because this paper can take a lot of abuse. We scored it, sanded it and covered it with masking fluid. The texture and hues on the wash can serve as a beautiful background for a collage. Once the acrylic washes were applied with a spray bottle, we tilted it and let the excess pour on a mixing tub that had an inch of water. The second part of our class was devoted to learning how to mix the paint for a pour. This time we tried bot...[Read More]